When the 2020 Tokyo Olympic Games officially began on Friday night, they did so with the host city under a state of emergency due to Covid-19.
For the first time in history, all Olympic events will take place in empty venues, with recordings of stadium noise from previous games and video celebrations among the innovations in place of crowds.
Meanwhile, sponsors, broadcasters, and the host nation are all approaching the Olympics with less than the normal anticipation. What will this mean for fans?
How is this different from other sporting events?
Since Covid, sporting competitions, including European football leagues and the NBA in North America, have seen fans adapt to not being able to be there in person. This has included cardboard cut-outs in stadiums, apps to broadcast fans cheering from home into virtual audience walls, and supportive messages.
In this sense, fans showed an initial eagerness to participate in new forms of fan engagement and new rituals, embracing their connection to teams and fan identity.
This is something Olympics organizers will be hoping to capitalize on, despite polls showing fans find sport during the pandemic to be less enjoyable.
Normally, visible crowds provide points of connection and community, while crowd noise draws attention to what is happening on field and enhances excitement. Obviously, simulated crowd sounds and cardboard cut-outs are no substitute for the real thing.
The Olympic connection
At least for the Olympics, attendance for fans is the exception. The vast majority of the global audience would expect to rely on broadcast and digital media to experience the games anyway.
We also know sports fans place great importance on the games. This week, a new report by True North Research found of all our national teams, Australians had the highest emotional connection to the Olympic team -- above the Matildas, cricket teams, and Wallabies.
The Olympics normally stimulate immense levels of national pride and connection. One argument for those wanting to support the Olympics is that they showcase sports, teams, athletes, and nations “who don’t otherwise enjoy the international platform that mega events afford.” They also showcase human achievement -- and people striving and sacrificing to chase their dreams and represent their country. It is easy to be drawn to the story of the games.
How can fans support the Olympics in a country that doesn’t want it?
Despite the hype and the history, the Olympics are not an essential service. The lack of atmosphere, ceremony, and celebration, alongside the uncomfortable reality of the event occurring in a pandemic, have the potential to complicate how fans enjoy and experience the games.
Covid-19 cases are growing once more in Japan and public sentiment in the host nation has been against the Olympics for months. The country has seen volunteers quit, hospitals display “Stop Olympics” messages on their windows, and a petition in protest of the games.
However, despite many Japanese citizens calling for the cancellation of the games, Tokyo’s hands are tied. Under the terms of the contract, only the International Olympic Committee has the power to terminate the Olympics. If Tokyo cancelled the games, Japan risks lawsuits, financial loss, as well as a damaged reputation.
The instability due to the pandemic has also allowed protesters to draw attention to broader societal, economic, and environmental impacts of the games in hopes to shut down the Olympics beyond Tokyo.
There is already an established “NOlympics” campaign against the 2028 Olympics in Los Angeles, arguing the games exacerbate inequality and over-policing.
What does it all mean?
So, does victory in Toyko mean more or less than previous games?
For athletes, victory is victory. After a gruelling five years of training, qualifying, and dreaming, it may in fact mean a whole lot more in a pandemic environment.
But for fans, the political distancing of key Japanese officials, citizens, and brands, and a global health crisis confronts them with a decision. Do they enjoy the Olympics as they usually might have, or do they turn away in support of issues that go well beyond sport?
There are no easy answers, but for fans it means Tokyo may be a more complex -- and morally challenging -- Olympics than they had anticipated. While Australia’s Seven Network has high expectations for broadcast numbers, it could prompt fans to re-evaluate how they connect with the Olympics beyond the pandemic.
Adam Karg is Associate Professor, Swinburne University of Technology. Emma Sherry is Professor, Swinburne University of Technology. Kasey Symons is Postdoctoral research fellow, Swinburne University of Technology. Sam Duncan is Course Leader, Sports Degrees, Holmesglen Institute and Adjunct Research Fellow, Sport Innovation Research Group, Swinburne University of Technology. This article previously appeared on The Conversation and has been reprinted by special arrangement.
